The third in a series of posts from Nick Waggoner and the crew at Sweetgrass Productions. They're currently hard at work on their third movie, Solitaire. Cleanest Line readers are invited to join them on their journey to produce their most ambitious film to date.This third installment from their behind-the-scenes series focuses on the crew's attempts to balance their desire for a compelling aerial image with their commitment to eschew motorized assistance in the filming process. Look for monthly updates here on TCL shortly after they appear on the Sweetgrass website, scheduled for the 21st of each month . – Ed
From the Sweetgrass crew:
Helicopters have never been part of our fiber. Beyond the economics of flying such expensive birds, we've never wanted our work to be about the noise or the fuel. If a method actor stays up all night before a shoot to play the part of an exhausted character, we feel the need to "walk the walk" up mountains to make films that feel true to our style.
For us, faster is not always better, and it's the experiences and the time spent going up that ultimately flavor the final film.
For years, filmmakers have shot aerial footage from helicopters and planes, and as we prepared for a trip to Peru's Cordillera Blanca last June, we wanted to try something different. So we took to the air with paragliding wings for a month, hiking through many nights, and taking huge gasps of air as we attempted a launch from over 18,000 feet.
So light your mattress on fire, settle down with a nice slaughtered guinea pig, and enjoy Episode III.